SANSKRIT RELATED CONTENT | WIKIPEDIA |
| |||||||||||||||||||||||
Sanskrit literature
This text from Wikipedia is available under the
Creative Commons Attribution-ShareAlike License, additional terms may apply.
See Terms of Use
for details. Wikipedia® is a registered trademark of the
Wikimedia Foundation, Inc., a
non-profit organization.
|
Indian literature |
---|
The earliest surviving treatise on astrology is the Yavanajataka "sayings of the Greeks" (3rd century). Classical Hindu astrology is based on early medieval compilations, notably the Bṛhat Parāśara Horāśāstra and Sārāvalī (7th to 8th century). The earliest surviving treatise on (non-divinatory) Indian astronomy predates the Yavanajataka: the Vedanga Jyotisha of Ladaga documents the state of in the Maurya period. The astronomy of the classical Gupta period, the centuries following Indo-Greek contact, is documented in treatises known as Siddhantas (which means "established conclusions" [1] ). Varahamihira in his Pancha-Siddhantika contrasts five of these: The Surya Siddhanta besides the Paitamaha Siddhantas (which is more similar to the "classical" Vedanga Jyotisha), the Paulisha and Romaka Siddhantas (directly based on Hellenistic astronomy) and the Vasishta Siddhanta.
The earliest treatise in Indian mathematics is the Āryabhaṭīya (written ca. 500 CE), a work on astronomy and mathematics. The mathematical portion of the Āryabhaṭīya was composed of 33 sūtras (in verse form) consisting of mathematical statements or rules, but without any proofs.[2] However, according to (Hayashi 2003, p. 123), "this does not necessarily mean that their authors did not prove them. It was probably a matter of style of exposition." From the time of Bhaskara I (600 CE onwards), prose commentaries increasingly began to include some derivations (upapatti).
"Tantra" is a general term for a scientific, magical or mystical treatise and mystical texts both Hindu and Buddhist said to concern themselves with five subjects, 1. the creation, 2. the destruction of the world, 3. the worship of the gods, 4. the attainment of all objects, 5. the four modes of union with the supreme spirit by meditation. These texts date to the entire lifespan of Classical Sanskrit literature.
Sanskrit fairy tales and fables are chiefly characterised by ethical reflections and proverbial philosophy. A peculiar style, marked by the insertion of a number of different stories within the framework of a single narrative, made its way to Persian and Arabic literatures, exerting a major influence on works such as One Thousand and One Nights.
The two most important collections are Panchatantra and Hitopadesha; originally intended as manuals for the instruction of kings in domestic and foreign policy, they belong to the class of literature which the Hindus call nīti-śāstra, or "Science of Political Ethics".
Other notable prose works include a collection of pretty and ingenious fairy tales, with a highly Oriental colouring, the Vetāla-panchaviṃśati or "Twenty-five Tales of the Vetāla" (a demon supposed to occupy corpses), the Siṃhāsana-dvātriṃçikā or "Thirty-two Stories of the Lion-seat" (i.e. throne), which also goes by the name of Vikrama-charita, or "Adventures of Vikrama" and the Śuka-saptati, or "Seventy Stories of a Parrot". These three collections of fairy tales are all written in prose and are comparatively short.
Somadeva's Kathā-sarit-sāgara or "Ocean of Rivers of Stories" is a work of special importance: composed in verse and is of very considerable length. It contains more than 22,000 shlokas, equal to nearly one-fourth of the Mahābhārata.
Fable collections, originally serving as the handbooks of practical moral philosophy, provided an abundant reservoir of ethical maxims that become so popular that works consisting exclusively of poetical aphorisms started to appear. The most important are the two collections by the highly-gifted Bhartṛhari, entitled respectively Nīti-śataka, or "Century of Conduct," and Vairāgya-śataka, or "Century of Renunciation." The keynote prevailing in this new ethical poetry style is the doctrine of the vanity of human life, which was developed before the rise of Buddhism in the sixth century B.C., and has dominated Indian thought ever since.
This refers to the poetry produced from the approximately the 3rd to 8th centuries. Kālidāsa is the foremost example of a classical poet.
But a striking characteristic of Indian literary tradition is that sometimes poets show off their technical dexterity with highly Oulipian word-games, like stanzas that read the same backwards and forwards, words that can be split in different ways to produce different meanings, sophisticated metaphors, and so on. This style is referred to as Kāvya. A classic example is the poet Bharavi and his magnum opus, the Kiratarjuniya (6th-7th century). Magh is noted for his epic poem (mahAkAvya) Shishupala Vadha, the 20 cantos of which are based on the Mahabharata episode where the defiant king Shishupala is beheaded by Krishna's chakra (disc)
The greatest works of poetry in this period are the five Mahākāvyas, or "great composition"s:
Some scholars include the Bhattikavya as a sixth Mahākāvya[3].
Other major literary works from this period are Kadambari by Banabhatta, the first Sanskrit novelist (6th-7th centuries), the Kama Sutra by Vatsyayana, and the three shatakas of Bhartṛhari.
The corpus of the Hindu Puranas likewise falls into the classical period of Sanskrit literature, dating to between the 5th and 10th centuries, and marks the emergence of the Vaishna and Shaiva denominations of classical Hinduism. The Puranas are classified into a Mahā- ("great") and a Upa- ("lower, additional") corpus. Traditionally[4] they are said to narrate five subjects, called pañcalakṣaṇa ("five distinguishing marks"):
Sargaśca pratisargasca vamśo manvantarāņi ca I
Vamśānucaritam caiva Purāņam pañcalakśaņam II
They are:
A Purana usually gives prominence to a certain deity (Shiva, Vishnu or Krishna, Durga) and depicts the other gods as subservient.
The Avadhuta Gita, an extreme nondual (Sanskrit: advaita) text, is held by Western scholarship to date in its present form from the 9th or 10th centuries.[5] Some important works from the 11th century include the Katha-sarit-sagara and the Gita Govinda of Jayadeva. Nagananda, attributed to King Harsha, is an outstanding drama that outlines the story of King Jimutavahana, who sacrifices himself to save the tribe of serpents. It is also unique in that it invokes Lord Buddha in what is a predominantly Hindu drama.
The Katha-sarita-sagara (An Ocean of Stories) by Somadeva was an 11th century poetic adaptation in Sanskrit of Brihat-katha, written in the 5th century BC in the Paishachi dialect. One of the famous series of stories in this work is the Vikrama and Vetāla series, known to every child in India. On the other side of the spectrum, of the 'Bhana' style of drama, Ubhayabhisarika is a one-person drama of an endearing lecher who knows every courtesan and her family by name.
The Gita Govinda (The song of Govinda) by the Oriya composer Jayadeva is the story of Krishna's love for Radha, and is written in spectacularly lyrical and musical Sanskrit.
A central text for several Hindu sects in eastern India, the Gita Govinda is recited regularly at major Hindu pilgrimage sites such as Jagannath temple at Puri, Orissa. The Ashtapadis of the Gita Govinda also form a staple theme in Bharatanatyam and Odissi classical dance recitals.
Beyond the 11th century, the use of Sanskrit for general literature declined, most importantly because of the emergence of literature in vernacular Indian languages (notably Hindi, Marathi, Telugu, and Kannada). Sanskrit continued to be used, largely for Hindu religious and philosophical literature. Sanskrit literature fueled literature in vernacular languages, and the Sanskrit language itself continued to have a profound influence over the development of Indian literature in general.
Attempts at revival of Sanskrit have been undertaken in the Republic of India since its foundation in 1947.
LONWEB.ORG is a property of Casiraghi Jones Publishing srl
Owners: Roberto Casiraghi e Crystal Jones
Address: Piazzale Cadorna 10 - 20123 Milano - Italy
Tel. +39-02-78622122 email:
P.IVA e C. FISCALE 11603360154 • REA MILANO 1478561
Other company websites:
www.englishgratis.com
• www.scuolitalia.com